Tag Archives: Edward Brodhead Green

and so the hope & process of publication begins …

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I am very happy to be in communication with Syracuse University Press and the offer to submit the story of “Rabbitwild” & personal introduction for consideration. 

Remembering Wicks,

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The Firm

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For Rick – the Green & Wicks Firm was housed in an old Unitarian Church in Buffalo for sometime. I haven’t taken the time today to check times, place and dates, or have even tried to guess. But, for now here are some photos that have somehow survived! (All rights reserved, duplication of content is strictly forbidden without consent of author, owner.)

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Class is in Session – Kind of

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What does one write when trying to encapsulate the intricacies and  complexities of a story of a man like Wicks without becoming verbose or draconian or even predictable?

This is what I want to know.

So, on the most glorious day in southwest Florida, I left my post as a Sierra Club volunteer at the Indian Rocks Beach Greenfest to find out.  Apologizing to my sister activists, I rushed away with my newly purchased gorgeous orchids to make the trek through the  most agonizing tourist traffic in the entire world. An hour later and still 5 minutes late, I grabbed twelve copies of “my work” to share with the workshop writing group and as quietly as possible found a spot as class was already  in session.

A woman with a slight southern drawl was reading.  She was easily offended and annoyingly mean to others throughout this writing encounter, scolding someone for whispering as she read the details of her terrible southern childhood.  A sad cliché of the middle child syndrome as she read from her manuscript with shaking hands.

For three and a half hours, I listened, we talked, critiqued and squared away fees for the class. But some people, I don’t know, just can’t seem to articulate their thoughts, or hear, or understand, or for that matter write. I was late to class and dead last to read. Class was dismissed. I could read first next time, I was told.

Um, I don’t think so.

What do you write as an introduction? Especially for a man like Wicks? The answer was not here, and this was my writing class lesson.

Last night, I started contacting publishers. The story will stand on its own.

 

Remembering Wicks and the story of Rabbitwild.

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Cleaning House at the Albright

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Albright-Knox Art Gallery …. Published on Facebook today …So glad both Architects were named by the Albright … Hats off to timeless architecture & those who created it, and now to all who embrace timeless beauty and necessity of preserving it …  On August 14, 1961, the 1905 Albright building, designed by Buffalo architects, E. B. Green and William Sydney Wicks, was cleaned for the first time by Gallery staff. The process restored the building to its original appearance when its opened 56 years prior. ‪#‎throwbackthursday

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Remembering my Great Grandfather, William S Wicks

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The Blue Crystal Water of Jock’s Lake . Wicks & Rabbit Wild

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“The blue crystal water of Jock’s Lake stretched before them, changing far off where the sun fell sparkling on it, into a golden green; and again, to a deeper blue, as it touched the rocky rim of the farther shore…”

William S. Wicks, “Rabbitwild – a Shelter in the Wilderness”

Photo courtesy of CNYIS, Inc

The Beginning of the Barneveld Library & Jacob Wicks . 1877

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Barneveld[1]

Barneveld Free Library . 118 Boon Street . Barneveld . New York

Illustration is courtesy of the http://midyorklib.org/barneveld/ website

History of the Barneveld Free Library – from the Mid York Library Website:

“Barneveld Free Library Association was formed in 1874 when Jacob Wick offered a room, rent free, for the use of a library. A subscription paper was circulated for the purpose of raising funds and the sum of $99 was secured. On November 21, 1874, the subscribers met in the home of Dr. Luther Guiteu and organized as the Trenton Library Association. The association started with 240 books.”

There is a slight error, as the name above should be Jacob Wicks, not Wick. Jacob was the father of William S. Wicks, who grew up in Barneveld, in the Octagon House, if my deduction as to his childhood home is correct. William S. Wicks studied architecture at Cornell and  graduated from M.I.T. in 1877, with a degree in architecture and among the first to be professionally trained in this discipline in the United States.

While successfully running an architectural firm in Buffalo with partner E.B. Green he returned to Barneveld to purchase Rubble Manor (aka Mappa Hall) as his summer home. I am not sure of the timeframe of this purchase or how the name change came about.

According to the library’s website, the cornerstone of the building, which is still in use, was laid July 27, 1877. The total cost of the building was about $1,700. The building was erected by the great- grandfather of Alexander Pirnie of Utica.

There is no reference as to the person who may have designed the library. Between the style which looks like a classic Wicks Adirondack simple design, his history in Barneveld and his father Jacob’s connection to both architecture & the library, I would take a wild guess and assume that either one or both had something to do with the design of the library.

Besides, why would the family keep an early photograph of the library seen here tucked away with all of the other treasured photos and postcards for over a hundred years? It would be interesting to find out if someone in the Library system might be able to find out more about this.

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Above photos are of the Barneveld Library. Left: This photo is from the Wicks family archives,  and right, a current photo courtesy of the Village of Barneveld website. Below are photos of my Great Great Grandfather Jacob Wicks & Great Grandfather William S. Wicks. If I were a betting type of gal, I would wager a dollar that Jacob & son William had something to do with the design and creation of this sweet little library.

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Left: Jacob Wicks, Born 1823 . Died 1884, Father of William S. Wicks. Right: William S. Wicks, Architect, Born 1854 . Died 1919. Photos are from the Wicks Family Archives and Courtesy of Elizabeth Hopkins Wittemann, Great Great granddaughter of Jacob Wicks & Great granddaughter of William S. Wicks.

Remembering the Wicks men and work that may have been forgotten, unattributed or overlooked.

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Details, Details, Nephew W. Sidney was the Unknown Family Stone Carver . 1901

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The Delaware Park Bridge . Photos courtesy of “Buffalo as an Architectural Museum” website.

This post was written a few weeks ago and while looking for more information on the Wicks family, I found William Sidney Nicholson, who was referred to in the postcard written by Wicks as the person responsible for the carvings on this bridge. (Postcard was sent to daughter Ruth)

William Sidney Nicholson was Ruth’s cousin and the son of Wicks sister, Ione and her husband Charles A. Nicholson who introduced the first phone and phone company to the Oneida County region. Charles spent his own money to run the first four phone wires in the area. The event caused quite a sensation. The Wicks & extended family have some rather fascinating and trailblazing qualities as they embbraced new ideas  and successfully employed them. I believe the Nicholsons lived in Utica, New York by the references found on the Oneida County New York biographies website.

Ione and Inez married prominent and successful men. I am puzzled at the repetition of names though as Inez married Howard Nicholson Brown. Was he a relative of Charles Nicholson? Also, the Wicks name as a middle name seems to come up every now and then, and I am not sure of the family connection. Just how did everyone come to know each other? It was a small world.

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Delaware Park Bridge Page

As I am reading about the push to prepare the City of Buffalo for the Pan Am Exhibition in 1901, I am finding that a great deal was accomplished in record time with thoughtful, cohesive vision by teams of talented individuals, among them Architects. The Board consisted of eight Architects, E.B. Green sat on the Board representing the Green & Wicks firm.

Although it seems modest in comparison to the very “important” buildings of the day, the Delaware Park Bridge was a rather critical element to the logistics of moving people to and from the exposition. By the end of the event, it has been calculated that 11 million people had visited the site.

There is vague and conflicting information available on the architectural firm responsible for the design of the Delaware Park Bridge, the “Buffalo as an Architectural Museum” site has some concise information. I also have a postcard from my family archives written by Wicks in August of 1908 for daughter Ruth, while she was at the summer home Rubble Manor, in Barneveld. Ruth would be 24 years old at this time.

Here is the card and note:

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Here is the message: Park Lake Bridge. G&W Architects The (?) heads are keystones to arches were cut by your Uncle Sidney. look at same through a glass. WSW

As I have been researching various sources for information, I have found an extended Wicks family in Buffalo between 1901 and 1910. It would only be natural for family members to be involved in the process of constructing and building, so I find this interesting. The work is that of a true artisan, and after over 110 years holding up rather well. I am still unfamiliar with all of the details of the family tree … I will look for the Uncle Sidney, with an i.

I think this card and note verifies this bridge as the design of the Green & Wicks Architectural firm, for posterity’s sake if for nothing else..

Here is more information on this practical, yet elegant bridge from the “Buffalo as an Architectural Museum” website:

Erected:

1901, in time for the Pan-Am Expostion. Built by the City of Buffalo to replace a wood and iron bridge. The city also rebuilt the Casino and boathouse.
See also: Highlights of Buffalo’s History, 1901

Original name:

Bridge of the Three Americas

Style:

Venetian. The casino was also rebuilt in the same style. The Pan-Am featured a “Venetian lagoon,” i.e., Hoyt Lake (formerly named Delaware Park Lake) which was dredged to make it suitable for canoes and, of course, gondolas.

Ornamentation:

Two white lions at each bridge entrance were temporary, like all the buildings except the New York State Building (now the Buffalo & Erie County Historical Society Museum).
There are 6 stone heads that function as keystones on either side of the three arches.
On the side facing the Casino, the two outer heads represent Native Americans, and the middle one an idealized head representing Buffalo.
On the other side, the heads represent the three doges (grand dukes) of Venice: Dandolo, Michaeli, and Morosini.

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